Archive for utica

Chaos at Deadly, Serendipitous Rain

Posted in 2009, Deadly Intentions, Hallowblog, Haunted Hollows, Review with tags , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by bluefall8

This edition of Hallowblog Flashback was originally posted Wednesday, October 14, 2009 and chronicled a most memorable night of haunting at two Michigan attractions. Deadly Intentions would go on to win the 2009 Horrorlust Monster Award and also received an honorable mention for the Horrorlust Pulse Pounder Award.

It was Bowbee’s Nightmare at Haunted Hollows, the other attraction we visited on the night in question, that actually snagged the 2009 Horrorlust Pulse Pounder Award along with the Horrorlust Eerie Vibrations Award and Horrorlust Haunt of the Year Award. The cast at Bowbee’s Nightmare also received an honorable mention for the Horrorlust Monster Award that season.

Sadly, the barn that housed Bowbee’s Nightmare burned to the ground one December morning in 2009. Haunted Hollows continued to produce various haunted attractions through 2012 but has been dark since that time. In 2011, much of the diehard cast followed Larry Black to Pontiac when Sinister haunted house ran alongside The Realm of Darkness. In 2012 and 2013 Sinister was stationed in Utica and then last year with Sinister closed Larry led the core of his crazies back to The Realm of Darkness where their storied history continued.

Like Haunted Hollows, Deadly Intentions is also no longer in operation having last run a show in 2012. On the plus side, the building that used to house Deadly Intentions is still active each October as it is now the home of The Deadland.

Try as the weather did last Friday to spoil our night of haunting the effort was as some would say, all for naught. Due to Jason’s usual lazy man shenanigans we didn’t depart from my apartment until 8:45 but we made good time and arrived at Deadly Intentions roughly half an hour later. A slight drizzle misted the air but for the chance to experience City of the Living Dead I would have braved an Indian monsoon. We did have a bit of a wait but that did nothing to diminish our spirits, our admission was paid; we had a one way ticket to a zombie infested Necropolis…I was happy.

The haunt on the whole was very well done but that was to be expected, what really impressed me was the cohesion and flow from one room to the next; the effect of a desolate city was pulled off very nicely. The trip begins in tavern complete with tables, stools, and a fully stocked bar. A visibly shaken bartender intercepted us and began rambling about dead people and infected bites, his breath smells of liquor. He was at a loss as to what he should do and when I attempted to reassure him that we could handle the situation by hurling Molotov cocktails at the zombies he grew agitated, pulled a gun on us, and demanded that we exit his bar. The whole episode put me in mind of that scene at the beginning of Resident Evil 2 when Leon seeks shelter in a gun shop only to stare down the barrel of a shot gun. It was a great scene to watch then and it was a lot of fun to experience first hand as well.

The adjacent room is adorned in the usual trappings of a bar as well: sports memorabilia and beer signs lined the wall while old school video games occupied a corner of the room to the left a bubble hockey table dared me to strike up a game. And I would have challenged one of my mates too if it weren’t for a particularly agile zombie that thrashed about the room lusting for our flesh. He pursued us out of the bar and into a room best described as the area behind the bar. Dumpsters lined the walls and again I was impressed with the creativity of the scenes. We had no time to admire such things though as the bar ghoul still hungered for our warm flesh. A female zombie emerged from the dumpsters and swiped at us viciously. The pair of undead assailants romped about the scene, rapidly dodging around our feet as we attempted to navigate the tight passageway. I must say that I very much admired their commitment to the act; they certainly were not deterred by the threat of bodily harm.

The dumpster area gave way to an alley where a zombie hobo, a dirty zombie hobo had taken up residence. He lovingly gnawed at a severed leg which must have sated his appetite for the time being because he seemed only mildly interested in the ready meal that had so freely wandered into his undead fiefdom. Much to our amusement the scene included a burning barrel and a large cardboard box which contained the half eaten remains of a grisly corpse. Behind us a zombie tussle had begun, the female ghoul from the dumpster area had followed us into the alley and she wrestled Zobo (zombie hobo) for the rights to his meaty snack. We left them to settle their differences and entered into Master Baiter’s Tackle Shop. The store front sign of course elicited a cheap laugh and the decor inside the room was well done but the disfigured heathen behind the counter did his cohorts a disservice by allowing us to traverse the store unharassed.

After exiting the store we entered a short series of alleys, home to a psychotic, bone wielding clown. He circled our party several times, violently swinging his crude weapon, smashing it against the walls. He was murderous but displayed no overt cannibalistic desires and so we passed without further incident.

The chaos continued as we did our best to navigate the ravaged cityscape, ahead we spotted a house, the light of a television flickered behind a curtained window but no refuge would be had as we were chased off by an angry homeowner. Up ahead we came across a deranged girl who seemed to have locked herself in a large cage as a means to protect herself from the undead horde. She shouted at us shrilly and demanded that we leave her alone. We noticed a TV inside the makeshift prison which was currently showing a pornographic film. Try as he might Jason could not contain the gleam of curiosity in his eyes but with a mass of flesh munchers on our trail even he could not justify lingering any longer.

We found ourselves at the front doors of a church, a bloodied nun fled from the building, her arms flailing above her head as she wailed a lament of primal terror. It was apparent from her screams that someone had done something terrible. Inside the church we found the source of all the calamity, a zombified priest stood chained to the wall. His eyes had been artfully gouged from his head and he had indeed slaughtered himself a feast, caked in blood as he was. As we passed I gave him a sporting chance at my hand and to his credit he did not disappoint, I reacted just in time and avoided the deadly chomp.

It would be Disco who would next be put to the test in this city teeming with the living dead. We had come to a choke point, the perfect place for an ambush, when an excitable butcher appeared and blocked our path. He began sniffing the air and muttered under his breath. He approached Disco, pinned him to the wall, and began sniffing him. Disco did his best to show no fear but it was clear that this creep had unnerved him. “Ohhh, I like this one,” said the butcher with a hint of thinly veiled sexual zest; Richard, Jason, and I could only laugh. The Disco however refused to squeal like a piggy and braved his way past this depraved maniac. The butcher would not be easily deterred and pursued us for some time. He was soon joined by a stocky zombie with a mangled face. The pair lumbered after us as we fled to the outskirts of the infected city. Another zombie joined their ranks and then a lunatic with chainsaw sought to sever anything that so happened to come his way. It was a frenzied atmosphere as we fled our pursuers past the city limits but just when we thought we’d escaped a zombie leaped from a ladder and made sure to hasten our exit.

For the second consecutive year Deadly Intentions delivered a fun and exciting show. I like the fact that City of the Living Dead included survivors who in the spirit of Dead Rising, had broke with reality and become hostile. The theme was awesome and lent itself nicely to some truly creative scenes, especially those at the beginning of the haunt. The actors were once more impressive in every regard displaying a level of intensity and enthusiasm unmatched anywhere else. The show was not without flaw though, for instance a heavy saturation of gore would have been appropriate with this theme. A greater commitment to continuity would have also helped to enhance the theme of the haunt. There were a few scenes that didn’t exactly play to the City of the Living Dead angle as well as others might have, for example, the girl in the cage could have been replaced by a car accident scene where hungry ghouls sucked the marrow from bones.

With that said, Deadly does deserve special recognition for it’s ability to squeeze the most out of its resources. There are no animatronics here nor are there expensive props but there are also no lengthy stretches of pitch black hallways. Deadly Intentions does employ modern lighting and sound techniques which when coupled with a nuts and bolts approach to haunting creates a hybrid between new and old, a neo old school if you will. The bottom line is that Deadly Intentions is a great haunt; it’ll be interesting to see how the brain trust continues to reinvent this rock solid attraction.

Rating: 4 1/2 stars

Our next stop was the Haunted Farm of Terror in Lenox Township but when we arrived we discovered to our great disappointment that the haunt had closed early do to rain. Perturbed, Richard and I got out of the vehicle with mischief on our minds. Richard decided that he would be justly amused if we were to make some modifications to the haunt’s sign. So it was that as we departed the phrase “open anus” blazed merrily from the signage at the Haunted Farm of Terror.

It was just past 10:30 at this time and we scrambled to find another attraction that would accept our haunt dollars. Blake’s and Slaughtered at Sundown are both located in nearby Armada but Blake’s too had closed early because of inclement weather and Slaughtered at Sundown was set to cut off ticket sales at 11:00. That left us with just one option, Haunted Hollows also in Armada. Haunted Hollows just opened last year but I’d heard some good things about it so with no other options we embarked on a short journey to the rural barn.

I was not impressed with the scene before us as we pulled into a nearly deserted and muddy parking lot. We exited the vehicle and proceeded to the ticket booth where I reluctantly handed over $15. We walked up a hill lined with cornstalks to the entrance of the barn. We were welcomed by a less than enthused Bride of Frankenstein and a guy dressed up like an old lady. After some corny dialogue from Granny Drag any hope I had for this haunt was quickly evaporating. The attraction only allowed two guests at a time so Jason and Disco entered first followed by Richard and I several minutes later. The haunt started a bit slow and I was convinced that this was going to be a short and pathetic money grab but that was the last negative thought I would have.

Bowbee’s Nightmare, as the attraction was titled, turned out to be an excellent haunt featuring innovative workers, effective props, and a truly creepy atmosphere. The attraction used no sound system which generally spells doom for a haunt because not only can music set the mood it also conveniently covers any noise hidden actors may unintentionally make. However this did not mean certain doom for Bowbee’s Nightmare quite the opposite was true, the eerie silence seemed to put us on edge and complimented the natural ambiance of the barn in a most frighteningly potent fashion.

The actors are the engine that drives Haunted Hollows and what a terrifyingly strange cast they were. The actors scored high marks on timing, make-up, and intensity but it was an unusual trait that jettisoned this brigade of creepy crawlers into haunt super stardom, the ghouls did not speak English. Many of the actors made guttural noises or menacing growls but those that did speak did so in what sounded like some sort of tribal dialect, the effect was disconcerting; the cast was very well trained. A noteworthy few included a skinny clown who displayed his improvisational skills by mimicking the circus tune that Richard began to sing when the wicked harlequin first assailed us; he bobbed his head from side to side and bounded about with gleeful madness. On the next floor a meaty female built like a bull dog burst from a refrigerator and growled menacingly. Her face was a mass of decay, a large boil protruded from her left cheek; she was a monstrosity to behold.

Richard and I caught up to Jason and Disco at the back end of the haunt and with juvenile delight I did my utmost to make Disco sully his draws. We had a hearty laugh but all the bustle alerted a hunchbacked ghoul to our presence. He was similar in stock to the Bull Dog Woman; I wondered what hideous spawns the pair might produce. The creature possessed surprising agility, leaping from a crouched position he gnashed at our faces. We escaped into the darkness but our reprieve was brief as a pair of nightmarish dames appeared as if born from shadow. One of them had long, blond hair and an appealing figure but even Jason’s perversion was swayed by the blood dripping from her mouth, a mouth lined with razor sharp teeth. She would reappear several times as we navigated the labyrinthine structure. Sometimes she would dart ahead of us and peek around corners and at others here presence was only made known to us by the haunting lament she seemed to enjoy singing, a bizarre combination that sounded like a cross between hiccups and strangled nursery rhymes. She appeared atop a staircase once we’d exited the haunt where she serenely hummed that strange dirge. She even pursued us to the parking lot and when goaded she approached our vehicle and snapped her teeth at my camera; now that’s dedication.

Bowbee’s Nightmare puts to great use an army of props, dummies, and mannequins; the likes of which were among the creepiest we’ve ever witnessed. This barrage of bodies kept our heads on a constant swivel, forever guessing where the next attack would come from. And all of this paid off wonderfully with one well placed actor. At the end of a small passageway a large doll sat atop a dresser limp and lifeless. Her white, expressionless face was in contrast to the black pig tails that fell on either side of her head. Suddenly, just as we were about to turn the corner she rocked forward and simpered darkly. When the gag was run on Jason and Disco, Richard and I could hear their shocked surprise several rooms away.

The haunt also featured a couple of false endings, one in the form of a very tight “Womb of Doom” and the other a fun vortex tunnel in which we snapped a memorable picture. Haunted Hollows also featured one very effective animatronic, an enormous Frankenstein that sprung to life with violent spasms caused by jolts of ear splitting electricity. A lot of haunts have animatronics in spades nowadays but the use of just one went a long way at the deathly quiet Bowbee’s Nightmare. The ending of the haunt was also memorable, after being led by some sort of garbling ghoul Bowbee himself was roused and chased us into a narrow, wooden choke point with the aid of a trusty chainsaw. Before we could race to the end of the passage a second abomination, Bowbee’s apprentice I presumed, forced us backward with a chainsaw of his own. It was a fun, wild end as the two disgruntled freaks pushed the four of us closer together with every swipe of the buzzing chainsaws.

Haunted Hollows’ Bowbee’s Nightmare succeeds by focuses on the fundamentals of haunting and in doing so delivered a unique and ultra creepy experience. The barn itself becomes a character and left us feeling as Disco quipped, feeling as if we’d just had a spell with the mutants from The People Under the Stairs. The barn has the feel of a B-rate slasher flick and that’s a compliment; this place will creep you out.

Rating: 5 stars

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Haunts Ablaze Despite Frosty Day of the Dead

Posted in News with tags , , , , , , , , , , , , , , , on November 3, 2014 by bluefall8

There was an undeniable chill in the air this past Saturday when John and I set out to do something never before accomplished in Horrorlust history — tour four separate locations in a single night. It was so cold in fact that the previous night, Halloween, had been witness to an accumulation of snow fall throughout the Flint area; John and I saw the after effects with our own eyes, but as haunters we accept that adverse weather conditions come with the territory.

Our first stop brought us to Exit 13 which has shot up our list of favorite places in recent years and our latest trip served only to strengthen that notion. The haunt underwent a massive overhaul since 2013 with new scenes, scares and characters. Our journey was a lengthy one highlighted by an endless string of scares that fused both fun and fright. We even encountered an honest to God amputee — to the best of my knowledge a Horrorlust first.

We came next to Playland Park in Grand Blanc which boasts the double bill of St. Lucifer’s and 13 Feet Under each Halloween season. I was delighted to find a Big Bertha arcade game inside the main building prior to entering any of the attractions. What’s that you say; you’re not familiar with Big Bertha? My friend, you haven’t lived! No childhood is complete without a round of Big Bertha! But I digress.

13 Feet Under featured a fun theme that drove the pace of the attraction which was punctuated with several unique design characteristics such as the area with sewer tunnels and grates. Here too we experienced another Horrorlust first when an actor bit me! That’s right, I was straight up chomped. No joke. When I was informed of a certain haunt hottie’s taste for flesh I offered up my gloved hand as a tempting morsel and she quickly obliged with a genuine bite! Now that is commitment to the scare.

St. Lucifer’s Haunted Asylum was fun as well but boy was it cold! Kudos to the actors who braved the elements to give patrons a show. It was so cold that the floors of St. Lucifer’s were coated with a thin layer of frost in many areas. How can the patients sleep at night under such conditions much less make suitable specimens for experimentation?!

Next, we zipped down to The Crypt and I’m proud to say that we were the final group through for the 2014 season. The Crypt employed a number of physically imposing actors who taunted us in the first half of the haunt and then allowed the animatronics and props to take over during the back half of this hodgepodge madhouse.

The haunt fates had indeed decided to smile upon us as we were left with plenty of time to reach Pontiac and The Realm of Darkness where we were mightily impressed by House of Nightmares 3D. The length had been majorly beefed up since last year, several areas featured artwork that erupted off of the walls and floor and the conclusion was a vibrant, technicolored display of violence from that ever-hostile harlequin, Bowbee!

The Realm of Darkness itself was yet another long and immersive trek marked by colorful characters and unsettling scenery. The remnants of Sinister were alive and kicking and thrilled us with their signature blend of humor and horror. A few highlights include John being serviced in a most peculiar way (yet another Horrorlust first!), myself being admonished for dishonoring a highly suspect lady and a unique display of sea legs by the inimitable Captain Sage. The level of detail here remained impressive and served as an excellent playground for the Sinister crew to ply their craft.

A big thank you to everybody who welcomed us into their respective house of horrors on Saturday night and in the process helped to create a memorable night in the history of Horrorlust.

As always, full reviews will be posted as they are completed.

Horrorlust Radio Episode #003

Posted in Horrorlust Radio with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 1, 2014 by bluefall8

Wrestler, home haunter and haunted attraction enthusiast Mike Marvel serves as co-host for episode #003 of Horrorlust Radio.

In the third episode of Horrorlust Radio, Mike and I discuss the tradition of home haunting in all its various forms and then dig into the pros and cons of multi-attraction venues.

This episode also features the second installment of Lost to Time, a segment that highlights haunts now departed; you’ll also hear the birth of a new segment, Hosts & Hotties where we pay respect to icons of the industry from horror hosts to scream queens and everybody in between. The luscious Elvira, Mistress of the Dark is our inaugural honoree.

Mike and I also banter about the quality of haunted attractions during the month of September and even delve briefly into the crossover elements of professional wrestling and the haunted attraction industry.

I’m actively seeking sponsors for Horrorlust Radio, if you own or operate a haunted attraction or are otherwise involved or connected to the haunt industry and are interested in such an opportunity you can contact me at the following email address: horrorlust@bluestarproductions.net

Email any questions or comments to the address above or feel welcome to post any reactions to this podcast in the comments section below.

HORRORLUST RADIO: EPISODE 003

SHOW NOTES

Mike Marvel isn’t just a wrestler, home haunter and haunted attraction enthusiast, he’s also the man behind the scenes at Michigan Haunt Central on Facebook.

Brandywine Cemetery, the prominent home haunt cited during this episode, is located at 2727 Brandywine St. Ann Arbor, MI. 48104. Brandywine Cemetery will be open Thursday, October 30 and Friday, October 31 in 2014. For more information visit their website here: Brandywine Cemetery

I’ve included a scan of The Lab’s 2009 ad from the Fear Finder. My scanner isn’t quite large enough to capture the entire ad but you can enjoy 95% of this colorful, eye-catching advertisement.

Fear Finder, 2009

Fear Finder, 2009

And for those of you who live under a rock, here’s a picture of the gorgeous Elvira, the first honoree in Hosts & Hotties.

She puts the lust in Horrorlust.

She puts the lust in Horrorlust.

The songs and audio clips featured in this episode are listed below in chronological order:

1. “This is Halloween” by Danny Elfman (The Nightmare Before Christmas, 1993)

2. The Return of the Living Dead  Theatrical Trailer, 1985

3. “Living Walls” by Midnight Syndicate (The 13th Hour, 2005)

4. Trash from The Return of the Living Dead, 1985

5. “Born of the Night” by Midnight Syndicate (Born of the Night, 1998)

Sinister Sidelined

Posted in News with tags , , , , , , , , , , , , , , , , , , , , , on September 6, 2014 by bluefall8

sinister_haunted_house___2012_promo_art_by_thenegativespace-d59n9sa

A mere two days ago I reported that Purgatory’s Revenge would not be open during the 2014 haunt season. Unfortunately, today I bring news of yet another closure. I spoke to Steve Czapiewski via email recently, Steve is the Advertising Director at Sinister, and he ended a fair amount of speculation by confirming that Sinister will not operate this Halloween season.

The dark status of Sinister is a serious blow to the Michigan haunt scene. Sinister employed an in-your-face, improvisational style which created a fresh and exhilarating haunted house romp. It featured a rock solid cast who pushed haunt etiquette to the edge and defied guests not to relish the experience. Owner Larry Black seemed to view Sinister as a haunted sand box, and within those walls, cast and customers alike could engage in a choose-your-own-adventure-story.

In 2012 Sinister snatched both the Horrorlust Monster Award and Horrorlust Haunt of the Year Award. In 2013 Sinister claimed the Horrolust Monster once more and in the process became the first haunt to win an award in back-to-back years since Deadly Intentions clutched the Monster Award in 2008 and 2009.

It’s also worth mention that Larry and many of his miscreants were responsible for the unforgettable show we witnessed in 2009 at Haunted Hollows in Armada. Bowbee’s Nightmare garnered three awards that fall which included Eerie Vibrations, Pulse Pounder and Haunt of the Year. That single season trifecta is topped only by the four-award effort Darksyde Acres pulled off in 2011 when The Catacombs & Rusthole secured the Eerie Vibrations, Pulse Pounder, Monster and Haunt of the Year Awards.

Steve did note that Sinister may return in time for the 2015 or 2016 haunt season and also stated that much of the cast will ply their craft as members of the Realm of Darkness this year. That is a veritable windfall for The Realm of Darkness which had a lack of quality actors in 2013. I wish all parties involved the best throughout the 2014 haunt season and into the future.

Read up on our adventures at Sinister here:

2012 – Sinister Jolts the Night with Surprise Twist

2013 – Improvisation & Intensity Forge Sinister Synergy 

2013 Horrorlust Haunt Awards

Posted in Awards with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 29, 2014 by bluefall8

The 2013 field was full of worthy nominees and after much consideration, I’m prepared to unveil the 2013 Horrorlust Haunt Awards.

2013 Horrorlust Haunt Awards Banner

Rotten Pumpkin – The Rotten Pumpkin award is given to the haunt considered to be the most disappointing of the season. Disappointment may be the result of an over hyped marketing campaign or the failure of the haunt to live up to expectations set forth in previous seasons. Whatever the case may be let there be no doubt that the haunt receiving this unwanted distinction truly dropped the ball, failing to provide a worthwhile show.

2013 Rotten Pumpkin: Scream Machine

Dishonorable Mention: 3-Story Haunted Barn (Blake’s)

The Scream Machine is now the first attraction to earn this undesired distinction twice; in consecutive years no less. It pains me to say that this selection was a no-brainer. The Scream Machine didn’t merely slip this year, instead the once respected haunt nosedived into an ugly downward spiral. The cast was unprofessional, listless and undoubtedly one of the very worst we’ve encountered. The design of the haunt was uninteresting, repetitive, and creatively bankrupt.

 

Eerie Vibrations – The Eerie Vibrations award is given to the haunt considered to exude the best overall atmosphere. Atmosphere is defined by the mood of the haunt itself but can also be fostered by immediate grounds or even the surrounding area.

2013 Eerie Vibrations: Village of the Living Dead

Honorable Mention: Terrorfied Forest (Terrorfied Forest & Manor)

Village of the Living Dead seemed to pulse with a special kind of energy from the moment we crossed the threshold of the haunt. The mixture of dense fog, orchestral music and subterranean passages produced a surreal, claustrophobic adrenaline rush.

 

Dark Horse – The Dark Horse award is given to the haunt considered to have the most potential for growth. Criteria for this award include the ability to deliver an entertaining show at a relatively small venue and at a reduced rate. Think of the Dark Horse award as the Horrorlust’s way of recognizing the little haunt that could.

2013 Dark Horse: Bloodbath on Biddle

Honorable Mention: Realm of Haunted Minds

The Wyandotte Jaycees took full advantage of the old City Hall building and in doing so, provided  guests with a lengthy trip through two levels of haunted rooms and corridors. Bloodbath on Biddle featured creative room design and a slew of warm bodies, actors who proved more capable than in previous seasons. Time and money are luxuries that Jaycees groups simply do not have to waste, the folks at Bloodbath on Biddle deserve a lot of credit for managing their resources wisely.

 

Killer Automatons – The Killer Automatons award is given to the haunt that best integrates animatronics into its attraction. When determining this award several factors are considered including timing, prop placement, realism, and sheer wow effect.

2013 Killer Automatons: Erebus

Honorable Mention: Jackson’s Underworld

House of the Dead’s four year stranglehold on this award has finally been broken as the old king returns to the throne. This is the second Killer Automatons Award for Erebus; the first came in 2008.

 

Monster – The Monster award is given to the haunt considered to have the best live actors of the season. In order to claim this award workers must display a certain level of intensity as well as a refusal to break character. Also crucial is the ability to improvise lines or actions when adapting to an individual guest or group.

2013 Monster: Sinister

Honorable Mention: Exit 13

This award proved to be the most difficult selection of the 2013 season as there were several deserving candidates. In the end however it was the unrelenting, improvisational impresarios of Sinister who grabbed the award for a second consecutive year.

 

Prop Master – The Prop Master award is given to the haunt considered to have best implemented props into the attraction. A prop may be considered a piece of furniture, a weapon, or a dummy. The haunt that claims this award will have paid special attention to placement, function, and realism.

2013 Prop Master: Hillside Mortuary (Terrorfied Forest & Manor)

Honorable Mention: Slaughter House (Slaughter House Adventure)

Hillside Mortuary earned this award in 2013 by offering haunters a trek through fully furnished rooms, complete with eerily posed mannequins. The motionless spooks were ominously frozen throughout the attraction, seemingly captured in moments of life that will live forever. The creepiest of the bunch stood expressionless next to an open casket — I got the chills just thinking about it.

 

Pulse Pounder – The Pulse Pounder award is given to the haunt considered to be the most intense attraction of the season. Intensity can be gauged by a number of factors including commitment of actors, gory or realistic scenes, and harsh or loud music and sound effects. However, the most important element when considering this award is genuine fear factor.

2013 Pulse Pounder: Village of the Living Dead

Honorable Mention: Purgatory’s Revenge

Reminiscent at times of our 2010 trip to Demonic Demons in Detroit, Village of the Living Dead toyed with the senses in various ways. Haunters were forced to crawl, climb, and grope their way through blinding fog and strobe effects. The overall effect produced a major spike in our heart rates.

 

Samhain – This award recognizes the most enjoyable night of haunting in a given season. A plethora of factors are considered when deciding this award but at the end of the season it comes down to the night of haunting that provided us with the most scares, laughs, and memories.

2013 Samhain: October 25, 2013 (Purgatory’s Revenge, Blake’s & Slaughtered at Sundown)

Honorable Mention: November 1, 2013 (Exit 13 & Village of the Living Dead)

We enjoyed a long night of haunting on October 25, when we managed to visit three attractions for the first time. Purgatory’s Revenge was a very good first time effort while the Nighttime Spooky Hayride at Blake’s was a feast for the eyes; meanwhile Slaughtered at Sundown offered classic fundamentals and engrossing scenes.

 

Haunt of the Year – The Haunt of Year award is given to the haunt considered to be the best overall attraction of the season. When deciding on this award several factors are taken into consideration including the timing and intensity of actors, the pace and length of the haunt, attention to detail, use of special effects, realism of props, and most importantly the lasting imprint left on guests.

2013 Haunt of the Year: Hush

Honorable Mention: Erebus

Quite simply, we were highly impressed with the overall effort from the rookie, Hush. The clever theme was leveraged well by Dr. Phineas Phun who highlighted an excellent cast that was full of energy. The scenes and scares varied in type and intensity and that approach produced a common thread of fun and fright that prevailed throughout Hush. It was a welcome surprise in 2013 that left us yearning for more and reminded us once again why we cherish this rite of passage each October.

Horrorlust Haunt Awards: A History

Posted in Awards with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2014 by bluefall8

The haunt awards, like Horrorlust itself, are the result of an evolution. The 2013 crop will be the sixth annual edition for most of the awards — Rotten Pumpkin, Eerie Vibrations, Dark Horse, Killer Automatons, Pulse Pounder, and Monster all debuted following the 2008 haunt season. The Prop Master and Samhain Awards were both added at the conclusion of the 2011 season, thus making this the third consecutive year for those respective distinctions.

The oldest award that we recognize is of course, Haunt of the Year. This award predates Horrorlust, indeed Haunt of the Year goes back even further than Hallowblog, the predecessor to this blog. Not long before I began chronicling all of these wonderful haunted adventures my merry band of travelers and I would simply agree upon the best attraction of the Halloween season. And so you’ll notice that in the annals of Horrorlust, that the Haunt of the Year Award is officially recognized as having originated in 2005.

As an interesting aside, it’s worth noting that these awards were initially called the Haunt Trinity Haunt Awards. If you delve into the depths of past Horrorlust posts you’re sure to come across such a phrase. The Haunt Trinity was a nickname I fashioned once a upon a time for a frequent trio of haunters. The group was comprised of myself, Jason (my older brother), and our good friend John who is sometimes referred to in these posts as the Disco Devil or simply, Disco.

I used to get a kick out of the name; I even spun spur of the moment rhymes about it and haunted attractions but mostly I think it merely served to annoy everybody else. After a time, it was rarely just the three of us participating in the beloved haunt excursions; a half a dozen or more friends and acquaintances regularly rotated in and out on any given night. My brother began to joke that the nickname Haunt Trinity was a misnomer.

A couple of years ago he found work in a new field and his schedule changed drastically; allowing him to partake in the haunted festivities only a time or two per season. This roughly coincided with the advent of Horrorlust and so it has been since 2011 that the annual awards have shared the namesake of this blog.

Readers, if you need a refresher on any of the awards please refer to the other posts under the “Awards” category, where full descriptions are posted. As a historical footnote, it’s worth mentioning that we began to recognize an honorable mention for each award in 2009 although those are not listed in this post. Interested parties are referred to the aforementioned entries found under the “Awards” category.

Fun Fact: No haunted attraction has ever been named Haunt of the Year on more than one occasion. In fact, there exists just two haunted houses that claimed the same award in multiple years. House of the Dead (Terror Town) won the Killer Automatons Award four consecutive years from 2009-2012. Deadly Intentions secured the Monster Award in back-to-back years during the 2008 and 2009 haunt seasons.

 

Rotten Pumpkin

2008: Templin’s Night Terror (Wyandotte Jaycees)

2009: Jackson’s Underworld

2010: Leo’s House of Horror

2011: Anxiety Alley

2012: Scream Machine

 

Eerie Vibrations

2008: Homer Mill

2009: Bowbee’s Nightmare (Haunted Hollows)

2010: The Haunted Farm

2011: Catacombs & The Rusthole (Darksyde Acres)

2012: Bloodview

 

Dark Horse

2008: Realm of Haunted Minds

2009: Extreme Scream

2010: Woods of Darkness

2011: Krazy Hilda’s Barn of Doom

2012: Dimensions of Darkness

 

Killer Automatons

2008: Erebus

2009: House of the Dead (Terror Town)

2010: House of the Dead (Terror Town)

2011: House of the Dead (Terror Town)

2012: House of the Dead (Terror Town)

 

Pulse Pounder

2008: County Morgue (Chainsaw Creek)

2009: Bowbee’s Nightmare (Haunted Hollows)

2010: Demonic Demons

2011: Catacombs & The Rusthole (Darksyde Acres)

2012: Slaughter House (Slaughter House Adventure)

 

Monster

2008: Deadly Intentions

2009: Deadly Intentions

2010: Realm of Darkness

2011: Catacombs & The Rusthole (Darksyde Acres)

2012: Sinister

 

Prop Master

2011: Tent of Terror (The Boneyard)

2012: Barn of Horrors (Erwin Orchards)

 

Samhain

2011: October 14, 2011 (Krazy Hilda’s, Chelsea Feargrounds, The Boneyard)

2012: October 12, 2012 (Erwin Orchards, Slaughter House Adventure, A Nightmare on Elm Road)

 

Haunt of the Year

2005: Nautical Nightmare

2006: Erebus

2007: Realm of Darkness

2008: House of the Dead (Terror Town)

2009: Bowbee’s Nightmare (Haunted Hollows)

2010: Demonic Demons

2011: Catacombs & The Rusthole (Darksyde Acres)

2012: Sinister

2013 Horrorlust Haunt Award Nominations

Posted in Awards with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2014 by bluefall8

As the Transworld Halloween & Attractions Show rolls on in St. Louis; the time as come to recognize the best haunted offerings of the 2013 season. We here at Horrorlust present nine dreadful categories , the original seven include: Monster, Killer Automatons, Eerie Vibrations, Pulse Pounder, Dark Horse, Rotten Pumpkin and finally, Haunt of the Year. In 2011 we added the Prop Master and Samhain Awards.

Below are descriptions for each category accompanied by this years’ nominees. All cities listed in parenthesis are located in the State of Michigan unless otherwise noted.

Rotten Pumpkin – The Rotten Pumpkin award is given to the haunt considered to be the most disappointing of the season. Disappointment may be the result of an over hyped marketing campaign or the failure of the haunt to live up to expectations set forth in previous seasons. Whatever the case may be let there be no doubt that the haunt receiving this unwanted distinction truly dropped the ball, failing to provide a worthwhile show.

2013 Rotten Pumpkin Nominees: 

3-Story Haunted Barn (Blake’s – Armada)

Realm of Darkness (Pontiac)

Scream Machine (Taylor)

Eerie Vibrations – The Eerie Vibrations award is given to the haunt considered to exude the best overall atmosphere. Atmosphere is defined by the mood of the haunt itself but can also be fostered by immediate grounds or even the surrounding area.

2013 Eerie Vibrations Nominees:

Exit 13 (Mt. Morris)

Terrorfied Forest (Terrorfied Forest & Manor – Pinckney)

Village of the Living Dead (St. Charles)

Dark Horse – The Dark Horse award is given to the haunt considered to have the most potential for growth. Criteria for this award include the ability to deliver an entertaining show at a relatively small venue and at a reduced rate. Think of the Dark Horse award as our way of recognizing the little haunt that could.

2013 Dark Horse Nominees:

Bloodbath on Biddle (Wyandotte)

Hillside Mortuary (Terrorfied Forest & Manor – Pinckney)

Realm of Haunted Minds (Romulus)

Killer Automatons – The Killer Automatons award is given to the haunt that best integrates animatronics into its attraction. When determining this award several factors are considered including timing, prop placement, realism, and sheer wow effect.

2013 Killer Automatons Nominees:

Erebus (Pontiac)

Jackson’s Underworld (Jackson)

Realm of Darkness (Pontiac)

Monster – The Monster award is given to the haunt considered to have the best live actors of the season. In order to claim this award workers must display a certain level of intensity as well as a refusal to break character. Also crucial is the ability to improvise lines or actions when adapting to an individual guest or group.

2013 Monster Nominees:

Exit 13 (Mt. Morris)

Hush (Westland)

Sinister (Utica)

Prop Master – The Prop Master award is given to the haunt considered to have best implemented props into the attraction. A prop may be considered a piece of furniture, a weapon, or a dummy. The haunt that claims this award will have paid special attention to placement, function, and realism.

2013 Prop Master Nominees:

Bloodbath on Biddle (Wyandotte)

Slaughter House (Slaughter House Adventure – Fowlerville)

Hillside Mortuary (Terrorfied Forest & Manor – Pinckney)

Pulse Pounder – The Pulse Pounder award is given to the haunt considered to be the most intense attraction of the season. Intensity can be gauged by a number of factors including commitment of actors, gory or realistic scenes, and harsh or loud music and sound effects. However, the most important element when considering this award is genuine fear factor.

2013 Pulse Pounder Nominees:

Exit 13 (Mt. Morris)

Purgatory’s Revenge (New Haven)

Village of the Living Dead (St. Charles)

Samhain – This award recognizes the most enjoyable night of haunting in a given season. A plethora of factors are considered when deciding this award but at the end of the season it comes down to the night of haunting that provided us with the most scares, laughs, and memories.

2013 Samhain Nominees:

October 25, 2013 (Blake’s, Purgatory’s Revenge, Slaughtered at Sundown)

October 30, 2013 (Bloodbath on Biddle, Hush, Scream Machine)

November 1, 2013 (Exit 13 & Village of the Living Dead)

Haunt of the Year – The Haunt of Year award is given to the haunt considered to be the best overall attraction of the season. When deciding on this award several factors are taken into consideration including the timing and intensity of actors, the pace and length of the haunt, attention to detail, use of special effects, realism of props, and most importantly the lasting imprint left on guests.

2013 Haunt of the Year Nominees:

Erebus (Pontiac)

Hush (Westland)

Village of the Living Dead (St. Charles)

For awards from 2010-2012 consult the “Awards” category listed in the sidebar to the right. A comprehensive list of past winners will be posted mid-week with the 2013 winners being released one week from today.